
A group of boys passionate about football cleans up an abandoned field with help from a local hero. When a tournament is announced, a professional player arrives to coach them toward their dreams of victory.
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A group of boys passionate about football cleans up an abandoned field with help from a local hero. When a tournament is announced, a professional player arrives to coach them toward their dreams of victory.

Ceren, trying to escape her past and build a new life for herself, returns to the village where she spent her childhood years later, only to encounter inexplicable events. With her arrival, the dark past that the village has silently hidden for so long awakens, and the curse thought to be forgotten begins to manifest itself. But the truth awaiting Ceren is far more shocking. Learning that she is the one they have been waiting for all these years, the young woman is drawn into the center of supernatural events that will change the fate of the town, along with an ancient seal that appears on her body. In this struggle surrounded by secrets from the past, curses that have lasted for generations, and unseen forces, Ceren must confront both her own destiny and the darkness that has held the village captive for centuries.

The story is a metaphor for Yudhishthira and the dog, and explores the idea of dharma. Chintu, a dog, loves his owner, Chintan, like a brother. Chintan, too, loves him with all his heart. When fate puts their love and loyalty to the test, they go to extraordinary lengths to fight for each other.

A documentary film that observes, listens to, and interacts with Fito Páez from a place of profound intimacy. The camera, almost invisible, witnesses his every move, accompanying him for over a year during recordings, rehearsals, tours, and performances in major cities across Latin America, Europe, and the United States. It is also a journey through the life of one of the greatest Spanish-language artists: his loves and heartbreaks, children and friendships, excesses, tragedies, failures, and successes.

It's loathsome being looked after. Last year, Judith retired from her life-on-stage. Already, she misses the applause. Idling away at their country home, the rest of the family—reclusive novelist husband David and failure-to-launch children Sorrel and Simon—are too self-involved to be a good audience. So, Judith invites a young fan as her guest for the weekend. But unbeknownst to her, each of the Blisses have a guest of their own arriving at the very same time. Completely unsuited to hosting and allergic to compromise, the house quickly erupts into a chaos of parlour games, put-downs, and unrequested encores. Hay Fever is an irresistible comedy of bad manners by the great Noël Coward. Emmy, Tony, Screen Actors Guild, and Drama Desk winner Christine Baranski makes her West End debut as the iconic Judith, sparring with Oscar-nominated legend Richard E. Grant in a stinging new production of Coward's comedy, directed by Emily Burns, and recorded at the Wyndham's Theatre in London, UK.

After a jewelry heist, a father and son are on the run from the police. They find refuge in a coach full of people with disabilities who are on their way to a holiday camp in the Alpine foothills with their carer. Without further ado, they pretend to be a missing fellow passenger and his carer.

A listless Wade Wilson toils away in civilian life with his days as the morally flexible mercenary, Deadpool, behind him. But when his homeworld faces an existential threat, Wade must reluctantly suit-up again with an even more reluctant Wolverine.

A quarter-century after September 11th, the attacks' ripple effects persist across generations. Orphaned children, War on Terror journalists, young Afghans, and U.S. Marines shaped by the 2021 withdrawal share their stories.

The Mandalorian and Grogu join their misfit allies for an epic party, celebrating their heroism. As friends regale the crowd with tales of their adventures, a pirate threat looms.

Two sisters, Jean and Joan Holbrooke, are so close to each other that they speak in unison, love the same man, and have the same dreams. They even make the same slip of tongue in unison. We cannot see the world as they see it, but we do see how the world reacts to them – through the courts and the press, through those that want to help and those who want to use them, through the eyes of beasts both tame and wild, and even through their own echoes in the core of the earth.

Late 18th-century England. A nightmarish teenager and a rookie Reverend lock horns over Sunday school attendance.

Seven years after her Grammy Award-winning “Amidst the Chaos”, Sara Bareilles reunites with her closest collaborators to record a new album. What emerges is an intimate, cinematic process that lays bare the musician's deep connections and inspirations in Josh Alexander's moving music documentary.

15-year-old Young-sun, abandoned by her adoptive parents and left with nowhere to go, temporarily stays at the home of Sua, whom she met as a tennis training partner. Young-sun, wanting to stay at Sua's house for a long time, tries hard to become part of the family, but Sua and her family find Young-sun burdensome.

Baseball player Jung-gu and movie star Nam-mi are a celebrity couple who are blissfully happy in their careers and marriage. One day, a girl named Dong-ju shows up and the couple's lives are instantly destroyed. Seven years later, as Dong-ju gets involved in the death of a middle-school girl, Jung-gu and Nam-mi decide to fight a battle they have no chance of winning.

Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

Deep in the Wunv Mountains lurks a supernatural spirit that can see through people's innermost fears, alongside an unsolved bloody case buried for years. A ragtag group of people steps into the forbidden land for their own respective purposes, only to realize they have long been pawns in a pre-set trap. As the shaman's drum beats, the spirits of the deceased return in new forms, and a tangled feud full of love, hatred, grudge, and passion unfolds amid eerie fragrance and the piercing sound of suona horns.

Pregnant and recently widowed, Stella is taken in by her late husband’s estranged family. But beneath their generosity lies something deeply unsettling, leaving Stella fighting for her life as their obsession with her unborn child turns deadly.

Welcome to the 1980s TV horrorshow that never was . . . again. Set around Halloween, PHANTASMATAPES II is a psychotronic VHS mixtape that reimagines ATOM AGE VAMPIRE (an Italian mutation of Georges Franju's EYES WITHOUT A FACE) and DON'T LOOK IN THE BASEMENT (the gritty proto-slasher from filmmaker S.F. Brownrigg) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

Dr. Steven Greer leads the charge toward ultimate disclosure. Bringing forward firsthand military whistle-blowers, the film exposes the decades-long institutional cover-up surrounding off-world technology and classified programs.

A TV director returns to her theater roots for a Shakespeare festival and runs into an old flame, rekindling a merry war of wits in this modern retelling of "Much Ado About Nothing."